With «Sequel,» trombonist, composer, and computer artist George Lewis presents a seminal work that breaks new ground in the borderland between acoustic and electronic music. In a unique effort of synthesis Lewis sought «to create a site of hybridity between electronic and acoustic sound worlds, and diverse aesthetic directions,» putting together an ensemble of eight musicians from different sound cultures to participate in the NEWJazz Meeting Baden-Baden in November 2004. Over the course of a couple of days, musicians from the areas of contemporary Improv, experimental electronica, independent rock sounds and modern composition worked together in the SWR studio in Baden-Baden, Germany. Material gathered from the studio recordings, plus live recordings of concerts in Basel and Rottenburg have been carefully edited for this CD that comprises the title theme «Sequel,» which is based on a composition by George Lewis, and three live cuts featuring free improvisations from the Rotenburg and Basel performances.
credits
released January 1, 2006
Guillermo E. Brown: Drums, Percussion, Electronics
Duo 48nord: Ulrich Müller: Guitar, Laptop, Siegfried Rössert Bass, Voice, Laptop
Miya Masaoka: Koto, Laptop, Electronics
Kaffe Matthews: Electronics
DJ Mutamassik: Turntables
Jeff Parker Electric: Guitar
George Lewis: Trombone, Laptop, Buchla Lightning
Composition of «Sequel» by George Lewis, RTW Music (BMI). Recorded at the public dress rehearsal at SWR Studio 1 in Baden-Baden (Track 1) and at the concerts at Zehntscheuer in Rottenburg (Tracks 2 + 4) and at Gare du Nord in Basel (Track 3), November 2004. Produced by SWR2 Redaktion Neue Musik/Jazz and Intakt Records. Sound engineer: Alfred Habelitz; Recording engineers: Mark Zenke † and Winfried Christmann. Mixed
by Ulrich Müller, Siegfried Rössert and Alfred Habelitz . Mastering: Manfred Seiler. Liner notes: George Lewis and Reinhard Kager. Photos: George Lewis, Cheryl Lynea Lewis. Graphic design: Jonas Schoder. Published and copyright by Intakt Records. Executive production: Reinhard Kager und Patrik Landolt.
supported by 16 fans who also own “Sequel (For Lester Bowie)”
I am really enjoying this. Was brought to it by searching for some Derek Bailey. I am also on a George Lewis kick theses days. This album seems like an achievement. Combining computers and brilliant improvisers. And it is such good music. The whole process seems fascinating but becomes irrelevant. The music is that good.The computer sounds like Sun Ra. liclon
supported by 14 fans who also own “Sequel (For Lester Bowie)”
Verisimilitude was at the top of my "Top Ten Records of 2017".
https://www.poisonpie.com/publishing/reviews/text/musicreview_2017.html
Can't wait for the vinyl version to arrive. Hebeloma Crustuliniforme
A truly psychedelic jazz record, “Bloom Anubis” ventures out into uncharted territory, with ominous tones & sci-fi synths. Bandcamp New & Notable May 15, 2021
supported by 14 fans who also own “Sequel (For Lester Bowie)”
Total mastery of patience, time, and drama create a constantly engaging journey that never gets tiresome or same-y: in fact the harder you listen the better it gets! Somehow Sorey et al. find a way to combine the deep listening and spontaneous interaction of the best jazz with the sense of every tone and sound being worth a universe of listening, which could be equally from Cage and Feldman or the accompaniment to an ancient ritual.
The recording/engineering is absolutely perfect as well. Giles
supported by 10 fans who also own “Sequel (For Lester Bowie)”
This record has such a magical flow to it, it seems to capture so directly the ups and downs of life, the joy of music and dance, and it's just so damn catchy and fun to listen to as well. Giles